I’m not entirely sure if this song is one of the redone demos or if it’s a new song, but this one opens up with a guitar riff that sounds like it might have been written in the 5150 days – a nice muted-picking number that’s a good melody in it’s own right.
Dave sings a few lines by himself over the guitar, then the bass accents a few spots here and there while Alex keeps time on just the high-hat. All this is adding layer over layer, building wonderfully to a drum fill and the entire band kicking in to the start of the song, and I really like the musicality in this.
But as the song actually gets going, I’m not sure what kind of song this one is trying to be. The guitar riff and the instrument layering at the start is very rock, but when we finally get going, it’s decidedly different pop sound that we’re greeted with for the bridge, but that leads right back into a really rocking verse. I’m a little confused by that, but even when you add it all together, it all still sounds just awesome.
But then, as we get into the middle of the song, it’s like it’s a Festivus miracle. The lead in to the guitar solo is a different kind of low-end riff with some more Dave over top, and then Eddie proceeds to blast our faces off with another excellent solo, leaning on a wah-pedal for most of it, adding yet another tasty layer to this wonderful cake that VH is serving up.
Coming out of the guitar solo, Dave absolutely TEARS. IT. UP. Forget what I said in the previous post about him not having the high registers – maybe he sounded that way on purpose, but DAMN he tore it up in this song. I’m not talking the squeals and yells of yesteryear, but Dave was blasting out high end vocals with the power of a freight train rolling down the tracks. Absolutely tremendous. Add Wolfgang puts a giant exclamation point on the end of the song with some wicked high-speed runs, and we get another perfect performance on drums by Alex.
Overall: This song has Edward’s signature all over it. I love the riff at the start. The solo is damned sweet. Wolfgang’s part is minimal in this one, but he still finds a way to leave his own statement at the end of the song, and once again, Alex lays out another solid performance. However, the star of this one is David Lee Roth who blasts out a top-notch Dave-esque show on vocals, and shows us at nearly 60 that he’s still got the goods.
Score: 9 out of 10